Unknown
Kevin J. Anderson
I just get too many phone calls during the day. If I'm in the middle of a scene and the phone rings, it really disrupts my concentration.
Kevin J. Anderson
I hired an artist to do a bunch of background work for me. He was the painter and the artist who did a wonderful Star Trek graphic novel that my wife and I wrote called The Gorn Crisis.
Kevin J. Anderson
I have a physics and astronomy background. If you have the means to do what I described to do, the physics actually works. I have enough of a science background that it has to at least make sense. I don't have people opening their helmets in space and trying to breathe vacuum for awhile or some of the other bizarre things.
Kevin J. Anderson
I had a minor in Russian history, and this was at the time when the big Cold War was going on.
Kevin J. Anderson
I got to spend all of my time every day at work reading and editing papers about cutting-edge technical research and getting paid for it. Then I'd go home at night and turn what I learned into science fiction stories.
Kevin J. Anderson
I felt that since I'm doing the H.G. Wells book and I did Captain Nemo, that it seemed like an obvious thing for me to be doing The League of Extraordinary Gentlemen. It's a fun movie. It's very fast and very sharply edited.
Kevin J. Anderson
I don't think the author should make the reader do that much work to remember who somebody is.
Kevin J. Anderson
I don't think anybody is particularly worried anymore that their Apple Macintosh is going to take over the world.
Kevin J. Anderson
I do a lot of hiking and walking and I carry my tape recorder with me to dictate writing, or I just think and put down notes. I just went out for days, and I couldn't stop talking about creating characters and building the worlds.
Kevin J. Anderson
I did some stuff for the X-Files that are directly lifted from my daily work at the lab Lawrence Livermore.